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Appropriate Methodology: A Guide to Effective Research.
(EYO: A Journal of the Arts and Humanities, Department of Creative Arts, University of Lagos, Nigeria., 2015-08-10) Sunday James
Abstract:This paper examines the issue of methodology in research. It enumerates the importance of a step-by-step approach to effective research in an attempt to advance knowledge. Various scholarly views were examined on the definition of methodology. The paper goes further to highlight the basic steps in research methodology and what the researcher is expected to do at each stage. It concludes by stating some advantages of appropriate methodological approach in research.
Photography in the Art of Painting: A Threat or an Aid?
(EYO: A Journal of Arts and Humanities, 2016-08-20) Sunday James
Abstract The practice of painting in Nigeria today calls for an urgent need to impart the right value and skills into our students and upcoming artists. To achieve this aim, the training system needs be structured towards achieving the realization of this principal objective. This paper examines the impact of photography in the practice of painting, especially, as it relates to Nigeria. The paper sees painting and photography as a combination which brings innovations and breakthroughs in the practice of art. It goes further to explore some of the advantages and disadvantages of using photograph as a reference for painting. A historical and philosophical approach of research was adopted. On the whole, the paper makes a comparative study of the two media of art expression while making recommendations towards improvement.
Art, Symbol and Royalty: A Case Study of the Yoruba Speakers
(International Journal of Arts and Humanities(IJAH), 2017-01-20) Dr. Morenike Folabalogun
This paper set out to examine the relationship and importance of Art, Symbol and Royalty amongst the Yoruba speakers in Nigeria. While studies have been done in different areas of this topic, yet this area remains unattended to despite its importance in art history. The aim of this paper is to bring awareness and fill the existing gap. The methodology of research employed is qualitative, through observation, non-observation, intrinsic/contextual analyses. Yoruba culture follows the general patterns of traditions in African societies. The traditional leaders are seen and reverenced as intermediaries to God; the Yoruba traditional heads are custodians of history, religion, tradition, myths, norms and values. Their subjects see them as deities; to wade off the ills within individuals and communities at large. The paper revealed that art; symbol and royalty are inextricably tied together. The unknown artists are still the machines that create the art, symbol and royalty traditionally, amongst the Yoruba speakers.
Decline of Ekpe Masquerade Amongst the Efik Speakers
(Published in Journal of Discovery an International Multi-Disciplinary Publication, 2018-09-01) Dr. Morenike Folabalogun
Masquerade traditions amongst the Efik speakers in Nigeria, is an interesting theme for discussion in art history. The scope of this paper is to direct attention to that aspect of Efik culture that is deeply rooted in the masquerade traditions and the importance of the masquerade’s cult. This paper examines specifically the Ekpe masquerade, their duties, their regalia, art, symbol and performance. The paper intends to bring awareness and fill any existing gap. The methodology applied in this research is qualitative, which includes oral interviews, analytical; using intrinsic and contextual methods, internet resource materials and literature. Efik culture follows the general patterns of masquerading traditions in African societies. The traditional masquerades are seen, as ancestors and reverenced as intermediaries to God. The masquerades traditionally are regarded as custodians of history, religion, tradition, myths, norms and values. Their subjects see them as deities; to wade off the ills within individuals and community’s at large, unity is established within communities, rules and regulations are adhered to. The dread of been sanctioned by a masquerade cult, culturally is an abomination in tradition and attracts sanctions. Difficult matters arising and sensitive disputes are settled by masquerade cults in the Efik land, the culture and its ideals are reinstated. Their performance brings alive the cultural values of the societies / communities.
A Critique of Mu’azu Mohammed Sani’s Palette Painting Technique in his work “Swange Dance Steps as Vehicle for Contemporary Expression in Painting
(GRASPACT JOURNAL OF ARTS AND TECHNOLOGY, 2020) Dr. Morenike Folabalogun
2 This paper sets out to critique Mu’azu Mohammed Sani’s palette painting technique in his work Swange Dance Steps as Vehicle for Contemporary Expression in Painting. The technique used in the palette painting, year of execution, habitat of works, medium and brief history of artist was also provided. The methodology used in this write up is qualitative which include, analysis, indirect observation, literary texts, and internet resources. The twenty first century ushered in creativity and dramatic individualistic expressions and great imagination of artistic qualities and fantasy in painting in Nigeria and other countries. Mu’azu’s technique of palette painting using the dance feet of the Swange dancers remain relatively new in Nigeria. Swange dance is one of the series of cultural dance steps of Tiv ethnic group from Benue State, Nigeria. This paper examines three of the thirty-one works in this genre of paintings. The aim of the research is to raise awareness on Mu’azu’s palette painting technique in his work Swange dance steps as vehicle for contemporary expression in painting.
Decay and Challenges of Traditional Cults in the 21st Century Nigeria.
(International Journal of Humanities and Social Sciences (JHSS), 2020) Dr. Morenike Folabalogun
Nigeria before the 21st century relied solely on traditional cults for its day to day events, policing, information dissemination, control of ancestral worship and initiation. The geographical ethnic cults taught the norms, values, beliefs, myths and morals to their society. In the 21st century the role of traditional cults was paling out and giving way to modern cults. Modern cults have directly and indirectly affected the beliefs, myths, norms, values, religion, education and cultural values in Nigeria. The positive significance has weaned out, but it is an area where many weaknesses are observed, yet it forms an important cultural foundation of the past. This study therefore investigated the characteristics of traditional and modern cults in Nigeria, and the challenges associated with the cults in the 21st century. The study’s scope is narrowed down to Nigeria. Methodology adopted for this write up is qualitative which includes; non-participant observation, relics, interviews, historical, literary texts, Internet resources and oral tradition.
) Visual Arts Professionalism and Practice: The Context of Copyright and Creative Authorship.
(. LIWURAM Journal of Humanities, 2020) Dr. Morenike Folabalogun
The writer dares to say that the issues of Copyright Act in Nigeria is still not so effective as it should be, and a lot of artists still suffer either because they are not aware of corporeal laws governing issues pertaining to visual arts as an important aspect of expression, or because they lack confidence in the system. Artists’ works are being plagiarized and offenders have not been prosecuted in most cases in Nigeria. The twenty first century ushered in creativity, dramatic individualistic expressions, great imagination of artistic qualities and fantasy. The exposure and access to the use of the internet affected the global world business transactions, Nigeria inclusive. The problem of get-rich-quick syndrome concerning artists and the incursion of internet technology amongst others also affected the corporeal laws and registration of visual artworks. Many visual artists seem not even aware of expiration dates for the genre of their works, however, this is another issue altogether. This paper examines specifically the aims of the Copyright Act, and some rules guiding visual artists in their professional transactions and expiration dates for visual art works. The methodology used in this write up is qualitative; through exploring literary texts, observation and internet resources. The corporeal organization must endeavour to upgrade their data base and expunge outdated laws to meet up with the demand and challenges of the 21st century.
THE PROBLEM AND CHALLENGES FACING CERAMIC INDUSTRY IN NIGERIA
(Journal of Ceramics and Enviromental Design(JOCED)JOCED VOL.8,NO. 2 Steptember, 2021, 2021-08) Sheriff Oluwaseyi Ojetunde
In Nigeria, Ceramics Industry have played significant role in uplifting the condition of the common man and the economy at large. However, the Ceramic industries in Nigeria are hampered with multifaceted problems which are encumbering their performances. Worried about the declining and or moribund nature of the Ceramic industries, this paper investigates the state of Nigerian Ceramics Industry and proposes some measures considered vital for the reactivation and support of the ailing ceramic industries. Some of the measures include, relying more on the abundant local raw materials to substitute imported inputs, provision of funds for the reactivation of ailing Ceramic Industries to enhance production, creation of design department by indigenous industries and provision of technical assistance through international bodies.
Art Language through Selected Signs and Symbols of the Yoruba People of Nigeria
(European Journal of Philodophy, Culture and Religion, 2023-07-20)
AbstractMany secret signs and symbols area associated with the Yoruba as we have it amongst many tribes in Nigeria. Some of these signs and symbols have deep meanings and have connotations amongst the tribe. They form the everyday language of the people and a thorough understanding of them is key in their relationship with one another as a people. The objective of this study is to express the cultural connotations of selected symbols in relation to the Yoruba people of Nigeria. The study hinges on the theories of Mimesis, Structural Formalism and Semiotics. This was validated through ethnographic study of symbols such as art, architecture, clothing, body marks and decorations among others to discover deep and hidden information about cultural beliefs and assumptions among the people under study. Pertinent literatures were reviewed, interviews were conducted, information was sourced from the internet and personal experience was explored. The study points out to the fact that a lot of deep and secret meanings are attached to the selected signs and symbols. The paper concludes that meanings expressed are generally accepted by a host of the Yoruba people; however, there could be slight differences in belief system from one locality to another. The paper had contributed to the pool of knowledge by bringing unknown and hidden meanings of selected signs and symbols of the Yoruba people to limelight. The paper recommends that signs and symbols commonly used in communication among the Yoruba people of Nigeria should incorporated into the curricula of schools; especially Yoruba as a subject and taught to preserve the tradition from extinction. It is also recommended that folklores, mythology and oral tradition be encouraged among younger generation so as to preserve cultural values.
Curriculum and Educational Implications of Teaching the Art of Dance in Nigerian Universities
(AFO-A-KOM: A Journal of Culture, Performing and Visual Arts, 2023-07-30) Sunday James
Abstract A look at the curriculum of various levels of education in Nigeria (primary, secondary, and tertiary) reveals that dance is one of the smallest and most neglected elements taught within the artistic spheres. It is mostly seen and taught as an aspect of Theatre Arts. This paper takes a look at various definitions of dance according to different scholars and the importance of dance education within the school system. The paper further discusses the implications of teaching and establishment of dance departments in Nigerian universities as well as points out issues that may arise as a result of the development. It calls the attention of stakeholders in the education sector in Nigeria to the need to ensure effective dance education in theory and practice. Issues ranging from curriculum, methodology, society, infrastructure as well as personnel are raised in this paper. The philosophical approach is adopted. This paper calls for mandatoryinclusion of dance education in the curriculum of schools and recognition of it as just as important for students as other subjects.
Trans-Atlantic Slave and the Phenomenon of the Migration of Visual and Performing Arts
(Published in IOSR Journal of Humanities and Social Sciences(IOSR-JHSS), 2024-01-08) Dr. Morenike Folabalogun
The Trans-Atlantic slave trade lasted for over 360 years with over 11million Africans traded across the Atlantic over years. The methodology adopted for this write up is qualitative which includes internet resources, historical, literary materials, and relics. This paper examines specifically the medieval contributions of Africa in art history and art that emerged from the descendants of Trans-Atlantic slave trade like the festivals, capoeira martial art dance, foods, use of nsibidi symbols, dance styles, languages amongst others. The author also examined and looked into the importance and the possibility of reparation to African Trans-Atlantic slave trade descendants and the need for tendered apology to African Trans-Atlantic slave descendants in diaspora by Africans first and then the colonial slave masters for the inhuman injustice done and for the wrong committed. Recommendations were also given for possible adaptations in the write up.
A photo Essay on Hausa female Embroidered Caps
(International of Journal of African society, Culture and Traditions, 2024-01-09) Dr. Morenike Folabalogun
Photo Essay of Female Hausa caps in Zaria, Northern Nigeria is part of their cultural signature and creativity. The methodology adopted for the research is qualitative; which includes non-participant observation, oral interviews, literary, materials, Internet resources and analysis. Pictures of embroidered caps indicated established the existence of female embroidered caps The researcher also concluded that the females work as hard as their male counterparts but face economic, biological and cultural challenges.
Sustaining the Future of Art Pedagogy in tge Face of Technology
(Afo-A-KOM Journal of Culture, Performing and Visual Arts, 2024-02-29) Sunday James
Abstract There is no doubt that technology is here to stay. Its influence is being noticed and reflected in studio and classroom situations. Students of Art in the 21stCentury are technology-driven. Their orientation and day-to day experience toll this line. Despite the many opportunities afforded to art teachers in technology today, many of themavoid these opportunities; either because they are not interested or they prefer the traditional way of teaching or they lack the know-how to use them. A cursory look at our Art institutions and Departments in Nigeria today reveals a need to overhaul the training methods and facilities in the system to meet global standards and the technology-driven society of our time. The author thinks, there is a need to embrace the use of technology in the teaching and learning of Art if its future is to be sustained. This paper discusses the place of technology in Art pedagogy; looking at studio practice and theory, its influence on Art production, careers in Art now; and sustainability in the future. The methodology adopted includes literary review and practical studio work experience. The paper points to the fact that the role of technology cannot be over-emphasized in art teaching and learning, exhibition and sale, recording, preservation, as well as documentation and archiving of art experiences. It is recommended that teachers of Art must be up-to-date with modern techniques in teaching in the dynamic and technology-driven world of today.
The Role if Research in Developing Countries: A Case of Nigeria.
(LWATI: A Journal of Contemporary Research., 2024-03-30) Sunday James
Abstract It is not an overstatement to say that the level of development witnessed in the world today: especially in developing countries is a product of research. In fact, the author is of the opinion thatresearch is "synonymous' to development as it leads to advancement in all facets of life such as education, health, governance, agriculture, infrastructure, building, commerce and industry, transportation, banking and finance, information technology, engineering, security to mention but a few. This paper takes a look at the role of research in development. It is aimed at promoting research in developing countries of the world. A philosophical approach is adopted while gathering data from a pool of literature, personal observation of major trends in Nigeria. The paper examines the level of development in key area of life; as well as highlighting those challenges facing research development using Nigeria as a reference point. Recommendations are made in the paper that could promote research development in young countries of the world. The paper concludes that without thorough research activities, stagnation in national development and human existence is endangered. (Word count: 174)

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