LE STYLE BEYALAN ET SES MESSAGES FEMINISTES : ETUDE DE C’EST LE SOLEIL QUI M’A BRULEE

dc.contributor.authorAkunna Pauline NNABUIKE
dc.date.accessioned2025-02-21T19:37:48Z
dc.date.available2025-02-21T19:37:48Z
dc.date.issued2022
dc.descriptionSelf
dc.description.abstractCalixthe Beyala's style is at the origin of the problem and misunderstanding of his novels, especially C'est le soleil qui m'a brûlée which is the subject of this study. It goes without saying that an author's style is actualized through his language, and language thus informs style. In this study, which uses stylistic theory, we examine Calixthe Beyala's own way of writing in C'est le soleil qui m'a brûlée. To this end, we analyze style of storytelling, description, focus, communicative exchanges, epistolary, analepsis and prolepsis. African writers seem to have as much taste for the theme as for the aesthetic, as such, it is often difficult to dissociate the critical study from content and form. The aesthetics of beyalanne writing is marked by a more personal composition and overcoming of grammatical, narrative and structural conventions. The language then benefits from a particular effort of innovation and enrichment.
dc.description.sponsorshipSelf Sponsor
dc.identifier.citation14. Nnabuike, P.A. (2022). Le Style Beyalan et Ses Messages Féministes : Etude de C’est le soleil qui m’a brulée, Revue Della/Afrique, 4 (11), 26 – 44, Published by Acaref Della, Togo. Available online at https://revues.acaref.net
dc.identifier.issn2790-0584
dc.identifier.urihttps://kwasuspace.kwasu.edu.ng/handle/123456789/4411
dc.language.isofr
dc.publisherAcaref Della, Togo
dc.titleLE STYLE BEYALAN ET SES MESSAGES FEMINISTES : ETUDE DE C’EST LE SOLEIL QUI M’A BRULEE
dc.typeArticle
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