Browsing by Author "Akunna Pauline NNABUIKE"

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    LE SORT DES ENFANTS ILLÉGITIMES DANS IMPOSSIBLE DE GRANDIR DE FATOU DIOME
    (COLLECTION RECHERCHES & RECGARS D’AFRIQUE N 0 SPECIAL FIN CAMPAGNE / NOV 2022, 2022) Akunna Pauline NNABUIKE
    The arrival of children in families is considered as blessings. These children are pampered, adored and well cared for especially when they are considered legitimate. They lack almost nothing because they are innocents. However, when children are considered illegitimate, especially in West Africa and in Senegal, they suffer abuse. A critical look at the lives of 36 SSBN : 978-2- 493659- 02- 6 COLLECTION RECHERCHES & RECGARS D’AFRIQUE N 0 SPECIAL FIN CAMPAGNE / NOV 2022 illegitimate children reveals that everywhere in Senegal, they are subjected to abuse and ill treatment. This is the case of Senegalese children in Fatou Diome’s Impossible de grandir. This novel highlights the mentality of the majority of Senegalese against illegitimate children. In this article based on sociological theory, several consequences of the mistreatment of illegitimate children are highlighted. Fatou Diome reveals that the humiliation and abuse of illegitimate children have their source in the mentality of Senegalese. She is of the opinion that if these children experience suffering, denial, hatred, the society sanctions it and this leads to underdevelopment because illegitimate children are often neglected. Diome advocates education, physical and social security for all children in African society.
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    LE STYLE BEYALAN ET SES MESSAGES FEMINISTES : ETUDE DE C’EST LE SOLEIL QUI M’A BRULEE
    (Acaref Della, Togo, 2022) Akunna Pauline NNABUIKE
    Calixthe Beyala's style is at the origin of the problem and misunderstanding of his novels, especially C'est le soleil qui m'a brûlée which is the subject of this study. It goes without saying that an author's style is actualized through his language, and language thus informs style. In this study, which uses stylistic theory, we examine Calixthe Beyala's own way of writing in C'est le soleil qui m'a brûlée. To this end, we analyze style of storytelling, description, focus, communicative exchanges, epistolary, analepsis and prolepsis. African writers seem to have as much taste for the theme as for the aesthetic, as such, it is often difficult to dissociate the critical study from content and form. The aesthetics of beyalanne writing is marked by a more personal composition and overcoming of grammatical, narrative and structural conventions. The language then benefits from a particular effort of innovation and enrichment.