PERSPECTIVES OF MEDIA PRODUCERS AND CULTURAL CRITICS ON GLOCALISATION AND CULTURAL DIVERSITY IN NIGERIAN ENTERTAINMENTINDUSTRY

dc.contributor.authorShaibu Agnes Joe
dc.contributor.authorAyanwale, Oluwajuwonlo Emmanue
dc.date.accessioned2026-04-24T10:20:20Z
dc.date.available2026-04-24T10:20:20Z
dc.date.issued2025-12-31
dc.description.abstractThe study explored the implications of glocalisation for Nigeria's cultural multiplicity, through the lens of Robertson's glocalisation theory. It conceptualised local and global cultural dynamics as mutually constitutive which are informed by viewpoints on cultural hybridity. The study investigated how Nigerian entertainment industry navigates between local culture and global tradition. To investigate the perspectives of media producers and cultural critics, the study conducted in-depth interviews with a purposive sample of 12 Nigerian television and film producers and cultural critics across southwest, north central and southeast regions (Lagos, Abuja, Enugu). A systematic thematic approach was used for the data analysis. Findings from the study revealed media practitioners used localisation strategies to glocalise global contents, thereby producing hybrid cultural contents. Informants observed the existence of both opportunities (local adaptation, creative hybridity) as well as challenges (likely commodification, urban bias) in the process of glocalisation. Key themes from the findings were that cultural hybridity, marginalisation of rural and minority voices in favour of urban tastes, and platform capitalism where digital distribution further centralises media power. Additionally, findings revealed conflicts of cultural innovation and preservation among producers amidst global pressures of adopting current trends. The study therefore recommended that local stories and contents be sourced from rural communities to counter urban bias of glocalisation.
dc.identifier.citation4. Shaibu, A. J. & Ayanwale, E.O. (2025). Perspectives of Media Producers and Cultural Critics on Glocalization and Cultural Diversity in Nigerian Entertainment Industry. Nigerian Journal of Communication Review, 4(4). Published by the Department of Mass Communication, Edo State University, Uzairue, Edo State, Nigeria. https://ncommreview.com
dc.identifier.issnhttps://ncommreview.com
dc.identifier.urihttps://kwasuspace.kwasu.edu.ng/handle/123456789/6729
dc.language.isoen
dc.publisherNigerian Journal of Communication Review
dc.relation.ispartofseries4; 4
dc.titlePERSPECTIVES OF MEDIA PRODUCERS AND CULTURAL CRITICS ON GLOCALISATION AND CULTURAL DIVERSITY IN NIGERIAN ENTERTAINMENTINDUSTRY
dc.typeArticle
Files
Original bundle
Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
GLOCALISATION-NJR.pdf
Size:
1.58 MB
Format:
Adobe Portable Document Format
Description:
License bundle
Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
license.txt
Size:
1.71 KB
Format:
Item-specific license agreed to upon submission
Description: